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16 January 2025
Education University of Hong Kong, Hong Kong, HKSAR 7:30pm
I demonstrate some of my recent projects integrating art and technology, specifically holography and extended cinema, at the Education University of Hong Kong as part of Prof Mette Hjort’s “Visualising Culture” course.
11 December 2024
Kurmanghazy Kazakh National Conservatory, Almaty, Kazahstan 9:30am
An artist’s talk and presentation of my works merging art and technology at Kazakhstan’s leading music conservatory.
10 November 2024
Il Mondo del Quartetto, Teatro Niccolini, Florence, Italy 7pm
Quatuor Arod will give the Italian premiere of my String Quartet no. 2 (2024) at this historic venue in Italy’s Renaissance capital.
9 November 2024
Russian Identity and the Construction of Memory, Russian Film Day, JdP Music Building, St Hilda’s College, University of Oxford, Oxford, UK 7:45pm
The conclusion of Russian Film Day will take shape in a discussion between myself and one of the world’s leading ‘new’ scholars on Russia, Jade McGlynn.
9 November 2024
RUSSIA: TODAY, Russian Film Day, JdP Music Building, St Hilda’s College, University of Oxford, Oxford, UK 6:30pm
The centrepiece of Russian Film Day at the JdP will be the screening of the film version of Russia: Today (2020), with cinematography by Alexandra Karelian and music recorded by Argentum Ensemble, conducted by Aivis Greters.
9 November 2024
Raising One’s Voice, Russian Film Day, JdP Music Building, St Hilda’s College, University of Oxford, Oxford, UK 5:15pm
The opening lecture of a conference/focus on Russia: Today (2020) as part of Russian Film Day at the JdP Music Building at the University of Oxford. I will chart a course through some of my most controversial vocal and operatic works, leading to the composition of Russia: Today.
31 October 2024
AAB301/302, Hong Kong Baptist University, Hong Kong, HKSAR 2:30pm
A lecture-discussion titled “Hyper-Real Extended Reality Performance: the future of musical expression through technology”, covering recent and future projects merging arts and technology, particularly projective ‘performance’ as seen with ARIA 空氣頌 (2020) and Os dias mais longos e os mais curtos (2022), hosted by the Research Office of Hong Kong Baptist University.
30 October 2024
MWT6, Meng Wah Complex, University of Hong Kong, Hong Kong, HKSAR 1:30pm
A lecture-discussion titled “Hyper-Real Extended Reality Performance: the future of musical expression through technology”, covering recent and future projects merging arts and technology, particularly projective ‘performance’ as seen with ARIA 空氣頌 (2020) and Os dias mais longos e os mais curtos (2022), hosted by the University of Hong Kong.
23 October 2024
Ad Libitum Op. 2, Neues Kunsthaus, Zurich, Switzerland 7pm
The European premiere of Vivacissimo (2023) at Switzerland’s premiere arts venue, performed by Chinese superstar cellist LiLa, now with a completely new staging/concept with visuals by Pavel Otdelnov and dancers from the Zürcher Hochschule der Künste.
6 October 2024
Klang: Mitäs jos?, Camerata, Musiikkitalo, Helsinki, Finland 5pm
The long-awaited world premiere of Otherhood (2022), with Iris Oja and Martti Anttila, voices, Anna Kuvaja, piano, and a slew of speakers, at Finland’s most important performance venue, the Musiikitalo.
